Wednesday, January 30, 2013

Lot and his Daughters


Albrecht Dürer (ca. 1496)

Lot and his Daughters Leaving Sodom and Gomorrah
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Anonymous, formerly attributed to Lucas van Leyden (1520)
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Lucas van Leyden (1530)
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Albrecht Altdorfer (1537)
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Georg Pencz (1544)
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Master of the Prodigal Son (ca. 1545)
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Bonifacio Depitati (1545)
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Frans Floris (ca. 1550)
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Dirck Coornhert after Maarten van Heemskerck (1551)
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Jan Massijs (1565)
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(Studio of) Jacob de Backer (ca. 1570)
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Agostini Carracci (ca. 1590)
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Joachim Wtewael (ca. 1595)
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Jan Brueghel the Elder & Hans Rottenhammer (ca. 1597)
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Jan Harmensz Muller (ca. 1600)
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Frans Francken the Younger (early 17th C.)
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Guido Reni (ca. 1615)
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Jacob Jordaens (attributed, ca 1620)
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Abraham Bloemaert (1624)
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Gerard ter Borch (1625)
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Claude Vignon (1625)
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Jan van Vliet after Rembrandt (1631)
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Francesco Furini (ca. 1640)
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Girolamo Forabosco (mid 17th C.)
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Emilian School (mid 17th C.)
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Andrea Vaccaro (undated)
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Guercino (1651)
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Johann Michael Rottmayr (undated)
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Jan Steen (1666)
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Nicolaes Maes (ca. 1675)
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John Smith (around 1700)
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William Blake (undated)
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Francisco Goya (ca. 1774)
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Pieter Verhaghen (1780)
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Camille Corot (ca. 1850)
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Gustave Doré (1875)
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Antonie Deusser (1917)
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Marc Chagall (1931)
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Otto Dix (1939)
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Carlo Carra (1940)
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(Lot's Wife Turning into a Pillar of Salt)
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Wolfgang Grässe (1980)
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Dan Mazotti (1982)
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Elena Sarni (1998)
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Arno Rink (2007)
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Katarina Vavrova (2008)
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Sasha Okun (2017)
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Robin Heron (2018)
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4 comments:

  1. Het is weer een schitterende compilatie, en eigenlijk ook wel een essay waard hoe dit absurde Bijbelverhaal door de diverse verlekkerde heren op doek is gezet.

    ReplyDelete
    Replies
    1. Het begeleidende essay laat ik graag aan anderen over, mij zeggen de beelden meer dan genoeg.

      Delete
  2. This Biblical story is strange and grotesque. The art is uncomfortable at best, and revolting at worst.

    ReplyDelete
    Replies
    1. The art is as uncomfortable and revolting as the story, but still beautiful, fascinating and more... it's art.

      Delete